Dramaturgy
Academic Year 2023/2024 - Teacher:
SIMONA AGNESE SCATTINA
Expected Learning Outcomes
The
course deals with those theatres of the early and second half of the 20th
century that have contributed to the shaping of the very notion of scenic
writing. In particular, the aim is to provide students with the knowledge of
some notions related to the contemporary debate on scenic writing as a
theoretical object, with the aim of delving into the fundamental issues of the
discipline and to be able to understand how to ‘write theatre’, with which
grammar and which signs. The theatrical studies and case studies, which are the
subject of the course, will enhance the ability to interpret dramaturgical
phenomena in general, enable students to acquire the specific terminology of
the studies in the sector, and develop their expressive and argumentative
skills. Students will be able to find their way among the proposed sources and
integrate what they have learnt in class both through autonomous study and
through their own experience as spectators/spectators.
According to the Dublin descriptors, students, at the
end of the course, will demonstrate:
1. knowledge of the main literary movements of 19th
and 20th century and understanding of their historical and cultural
connections.
2. ability to apply acquired knowledge in studying and
learning authors and literary movements not included in the curriculum.
3. ability to formulate independent analysis and
evaluations about the authors studied and to synthesize them appropriately.
4. ability to integrate knowledge and to
formulate judgments on the basis of information that is not necessarily
complete;
5. ability to carry out research
autonomously.
Course Structure
The
course is subdivided into two modules: the first
(A), theoretical-institutional, proposes general issues of
dramaturgy in the second half of the 20th century.
The second (B) is dedicated to two Sicilian
trilogies. That of Nino Romeo who, thanks to his dramaturgical temperament and
peculiar diction, is one of the protagonists of the contemporary Italian scene.
There will be an alternating frontal and workshop
dimension, thanks to Nino Romeo, who has made himself available to engage in
dialogue with students, who will also be invited to attend performances in the
city's theatres.
Attendance of Lessons
Attendance is not compulsory.
Detailed Course Content
- Institutions of
dramaturgy theory.
- The tradition of the
dramatic text between page and stage. Problems and methods of theatre
philology.
- Forms of dramaturgy:
historical overview from antiquity to the twentieth century through the
analysis of some successful examples.
- Author / Actor / Director
between dramaturgy and writings of the scene.
- Case
study: writing for the theatre, Nino Romeo, a nomad of theatre.
Textbook Information
A. Dramaturgy: definitions
and method (3 ECTS)
Text:
- M. De Marinis, Ripensare il Novecento teatrale. Paesaggi
e spaesamenti, Roma, Bulzoni, 2018 (344 pp.)
B. «Theatre is not a book... it must be alive» (3 ECTS)
Texts:
- N. Romeo, La
casa della nonna, Nubendi, Sorelle per legge, Roma, Bulzoni, 2015 (207
pp.)
- N. Romeo, Fatto
in casa, (text will be provided in pdf)
- N. Romeo, La
rondine, l’usignolo e l’upupa (text will be provided in pdf)
- N. Romeo, Dollìrio,
in «Ridotto», (text will be provided in pdf)
- N. Romeo, Storia di Frangisca, in «Ridotto»,
(text will be provided in pdf)
Critical insights:
- F. Ilardo, Cromosoma Sicilia: l’Isola plurale come forma La
Nuova Drammaturgia Contemporanea in Sicilia: anatomia di un’estetica divergente,
in https://www.accademiadipalermo.it/wp/wp-content/uploads/ISOLA-PLURALE-ANATOMIA-DI-UNESTETICA-DIVERGENTE.pdf
Video readings:
La casa della
nonna
Nubendi
Dollìrio
Storia di
Frangisca
Please remember that in compliance with art 171
L22.04.1941, n. 633 and its amendments, it is illegal to copy entire books or
journals, only 15% of their content can be copied.
For further information on sanctions and regulations
concerning photocopying please refer to the regulations on copyright (Linee
Guida sulla Gestione dei Diritti d’Autore) provided by AIDRO - Associazione
Italiana per i Diritti di Riproduzione delle opere dell’ingegno (the Italian
Association on Copyright).
All the books listed in the programs can be consulted in the library.
VERSIONE IN ITALIANO