According to the Dublin descriptors, students, at the
end of the course, will demonstrate:
1. Knowledge and understanding
Acquisition of the knowledge necessary understanding
of the role of the music in the context of European artistic and cultural
History and in the cultural contemporary landscape
2. Ability to apply knowledge
and understanding
Ability to apply
the knowledge mentioned in point 1) within a path of in-depth study and
conceptualization
3. Autonomy of
judgment
Ability to integrate knowledge and handle complexity,
and formulate judgements on the works of musical theatre
4. Communication skills
Ability to communicate their conclusions, and
knowledge and rationale under pinning these, to specialist and non specialist
audiences clearly and unambiguously
5. Learning skill
Development of learning skills that are necessary to
undertake further study with a high degree of autonomy. Development of
abilities for conscious listening and observation of historical-contextual and
intermedial relationships, with the projection of these skills onto a possible
future path of master's-level education.
A. Theory and techniques of
film music (3 ECTS)
Texts:
- S. Miceli, Musica per film. Storia. Estetica - Analisi, Tipologie,
Milano, Ricordi-Lim, 2009, pp. 37-146, 167-199, 305-368, 607-699
2. Music and images in
avant-garde cinema of the 1920s and ‘30s and in filmic writing by Luchino Visconti, Stanley
Kubrick, Miloš Forman (3 ECTS)
Texts:
- P. Bertetto, Fritz Lang. Metropolis, Torino, Lindau, 2001, pp. 1-72
- L. Micciché, Visconti e il neorealismo, Venezia, Marsilio, 1998, pp.
75-190
- M. Solomon, Mozart, Milano, Mondadori, 1995, pp. 3-37, 46-56, 211-247,
300-313
- A. Noguero, Il ‘doppio adattamento’ di «Amadeus»: dalla storia al teatro e dal
teatro al cinema, «Comunicazioni sociali», 3 (2011), pp. 251-269
- M. Solomon, Su Beethoven. Musica mito psicanalisi utopia, Torino,
Einaudi, 1998, pp. 240-252
- G. Seminara, Il sonoro nei film di Kubrick e il gioco tra i codici,
«Musica/Realtà», 59/2 (1999), pp. 57-73
Please remember that in compliance with art 171
L22.04.1941, n. 633 and its amendments, it is illegal to copy entire books or
journals, only 15% of their content can be copied.
For further information on sanctions and regulations
concerning photocopying please refer to the regulations on copyright (Linee
Guida sulla Gestione dei Diritti d’Autore) provided by AIDRO - Associazione
Italiana per i Diritti di Riproduzione delle opere dell’ingegno (the Italian
Association on Copyright).
All the books listed in the programs can be consulted in the Library.
