HISTORY OF ARCHITECTURAL LANGUAGES AND TECHNIQUES

Academic Year 2022/2023 - Teacher: Vittorio FIORE

Expected Learning Outcomes

  1. demonstrate knowledge and understanding through: the reading of selected case studies in the panorama of historical architectural heritage, based on a methodology that allows to combine technological innovation and lexical changes of architecture; the recognition and placing of a work in the chronological and technological panorama of the construction process;
  2. strengthen the ability to transfer methodologies to other architectural artifacts, in different and new contexts;
  3. demonstrate ability to apply knowledge, and skills: in solving unfamiliar problems, placed in interdisciplinary contexts related to their field of study; continuing to study and face independently new scenarios that will arise in the course of professional life;
  4.   acquire the ability to integrate knowledge and manage the complexity of the case studies, as well as make judgements on the basis of assumptions, limited or incomplete information, including reflection on social and ethical responsibilities related to the judgments made;
  5. to be able to communicate in a clear, concise and unambiguous manner the conclusions and assessments, as well as the knowledge, assumptions and rationale underlying them, to specialist and non-specialist interlocutors.

Course Structure

Frontal teaching.

Required Prerequisites

Basic knowledge of ancient, modern and contemporary art history.

Attendance of Lessons

Optional

Detailed Course Content

The course aims to provide the codes for reading constructive forms and material characters as integral parts of architectural expression. The spatial aspects of architecture will also be observed in the light of a tectonic conception that links the art of building to the geographical and historical aspects that establish its design principles.

Faced a terminiological examination (history, language, technique/ technology, architecture) the lessons will consider examples of architecture, authors and treatises, technological innovations and construction solutions between the nineteenth and twentieth century (among the topics: Neo-Gothic, German Enlightenment/K.F.Schinkel, Organic Architecture/F. Lloyd Wright, Classical rationalism/A. Perret, avant-garde and continuity/M. van der Rohe, New Monumentality/L. Kahn, shells/J. Utzon, Adoration of the joints/C. Scarpa).

We will adopt the text by Kennet Frampton that addresses the theme of architectural design by placing the accent, as well as on space, on the relationship between "Topos, Typos and Tectonic"; therefore settlement type, building type, structural typology, assigning to the word type the meaning of ideal type of original model.

 

Textbook Information

  1. Tectonics and Architecture (4 CFU)

K. Frampton, Tettonica e architettura. Poetica della forma architettonica nel XIX e XX secolo, Skira, Milano, 2005 pp.400.

  1. Technologies for traditional construction (1 CFU)

A. Petrignani, Tecnologie dell’architettura, Serie Görlich, Istituto Geografico De agostini, Novara 1984: pp. 168-179 (masonry); pp. 329-343 (vaults); pp.372-378 (floors); pp.402-409 (roofs)

  1. Case studies (1 at the student's choice; 1 CFU)

-C1. Martin Steffens, Schinkel, Taschen, Colonia, 2004, pp.89.

-C2. G.C. Argan, Walter Gropius e la Bauhaus, Einaudi, Torino, 1974(1951), pp. 85-128 (W. Gropius).

-C3. C. Norberg Schuz, Casa Tugendhat, Brno, Officina, Roma, 1984, pp.63.

-C4. R. de Fusco, Storia dell’Architettura contemporanea, Laterza,Roma-Bari, 1974 : pp.301-321 (rationalist architecture); pp.351-373 (organic architecture).

 

Please remember that in compliance with art 171 L22.04.1941, n. 633 and its amendments, it is illegal to copy entire books or journals, only 15% of their content can be copied.

For further information on sanctions and regulations concerning photocopying please refer to the regulations on copyright (Linee Guida sulla Gestione dei Diritti d’Autore) provided by AIDRO - Associazione Italiana per i Diritti di Riproduzione delle opere dell’ingegno (the Italian Association on Copyright).

All the books listed in the programs can be consulted in the Library.

The texts no longer on the market, or from which short extracts are selected, will be provided by the teacher on Studium in pdf.

Course Planning

 SubjectsText References
1Course contents and basic terminology: history, language, technique/technology, architecture.--
2Adopted methodology and recurrent terminology: topos, tipo, tettonica.--
3System concept: The systemic reading of architecture. --
4Greco-Gothic and Neo-Gothic: the Anglo-French origins of the tectonic form--
5The origin of tectonics: German Enlightenment (1750-1870); K.F. Schinkel.--
6F. Lloyd Wright and textile tectonics--
7Auguste Perret: classic rationalism and reinforced concrete--
8Mies van der Rohe: rationalism--
9Walter Gropius and Bauhaus--
10L. Kahn: new monumentality.--
11J. Utzon: transcultural form and tectonic metaphor--
12C. Scarpa: the joint design--
13Technologies for the traditional built : dealing with technical elements and their declination by age and material culture.--

Learning Assessment

Learning Assessment Procedures

A first written test (to be prepared in the classroom) will take place with mid-course questions and will focus on the critical analysis of some topics of Module B of the bibliography; a second oral test will be held at the end of the course (exam) and will focus on module A, and only one theme chosen in module C of the bibliography.

The assessment of knowledge and preparation will take into account the mastery of the content and skills acquired, the linguistic accuracy and lexical properties, as well as the argumentative ability demonstrated by the candidate//a.
Active participation in the lessons promotes the acquisition of specific disciplinary skills and the ability to integrate knowledge related to new or unfamiliar issues, also thanks to the possibility of critical discussion of the topics covered.

Examples of frequently asked questions and / or exercises

1. Reinforced concrete and classical rationalism of Auguste Perret.

2. Stone materials and slippage of flat surfaces in the free plants of Mies van der rohe.

3. Guidelines from the theories on architecture of Abbot Laugier ("Essai sur l'architecture", 1775).

4. Influence of F. Lloyd Wright on Jorn Utzon in the museum project.
VERSIONE IN ITALIANO