LETTERATURA TEDESCA DELL’ETÀ DI GOETHE

Academic Year 2022/2023 - Teacher: RENATA GIUSEPPA GAMBINO

Expected Learning Outcomes

The course aims at focusing on some relevant literary phenomena, which have taken place during what is called “the Time of Goethe” (approximately from 1750 until 1830), concentrating mainly on the origins of Romanticism.

Main targets are:

1. To gain competence about German literary history, literary genres, authors, and cultural contexts.

2. To display a conceptual understanding and a basic methodological competence about established techniques of research and their use.

3. To display competence in research by applying an existing body of

knowledge in the critical analysis of given texts or of a specific problem or issue.

4. To display intellectual independence, exercise initiative, personal responsibility and decision-making.

5. Communicate ideas, issues, and conclusions clearly.

The course will particularly focus on themes and motifs of the German Romantics, observing the innovation in thought and artistic production by analysing some important texts and works of art.

Course Structure

The course will be divided into two parts:

     1)    a series of lessons will be devoted to some general topics, motivs, methodologies regarding German arts and literature in the time between 1750 and 1830.

     2)    a series of lessons will be devoted to the discussion with the students taking part to the lessons about the literary texts listed in the programm. Each reading text will be presented by a group of students and discussed with the teacher and the class.

Detailed Course Content

A) History and Literature in the time of Goethe

The course will refer to the use of a book about the history of literature with a specific cultural approach and with a focus on some relevant motifs of the “Age of Goethe” (book in section A).

B) Main Motifs and Topics

The course will point out some main topics and motifs relevant to the literary works of the time (book in section B).

C) Innovation and Tradition

Genres and style as vehicle of innovation and tradition in their formal aspects as well as in their plot and language will be discussed after reading.

Textbook Information

The recommended texts follow the the course content structure: A History and literature in the age of Goethe; B Motifs and main currents; C Innovation and tradition

For A : the use of a textbook that provides a valid historical outline, based on a culturalist approach and a specific analysis of some of the fundamental themes and motifs of the historical period examined accompanied by individual in-depth research on some specific authors and themes based on the readings chosen.

For B : students must read  4 works of  literature produced at the turn of the 18th and 19th centuries. They can choose them from those proposed in the list (Goethe, The Sorrows of Young Werther for all, plus 3 readings of their choice from section C of the list of texts).

For C: In order to develop in the learners a conscious capacity for analysis and the application of specific interpretative methodologies, the course includes the reading of 4 critical essays (possibly relevant to the primary works chosen).

A small anthology of texts in German provided on the Studium platform will also be proposed, which it will be useful to have with you during the lessons

Learning Assessment

Learning Assessment Procedures

An optional in-progress test will be available during the lessons: The in itinere test involves individual or group work, agreed upon with the lecturer. The work will be presented orally during the lessons, will be accompanied by slides or handouts, and will deepen one or two reading texts chosen by the students.
The result of the in itinere test will be averaged when assessing the final examination.
The final examination consists of an oral interview in Italian or German (candidate's choice).

The assessment of the examination will take into account the candidate's mastery of the content and skills acquired, linguistic accuracy and lexical propriety, as well as his or her ability to argue.

Examples of frequently asked questions and / or exercises

During the final examination you will be asked to expound on some of the innovative elements of the poetics of Sturm und Drang, Weimar Classicism, and Romanticism. In particular, you will be asked to pay attention to the innovation brought about by Lessing and Schiller in the sphere of theatre (see Borghese Drama); by Goethe and Novalis in the sphere of the novel and in particular to distinguish between the novel of formation (Bildungsroman) and the artist's novel; you will be asked about the poetics of the Schlegel brothers and Novalis in the development of the poetics of early Romanticism (see Athenäum fragment 116); of the Grimm brothers in the context of the revaluation of the fairy tale of folk origin and the innovative elements introduced with the author's fairy tale (see Tieck and the Blond Eckbert); the work of Clemens Brentano and Achim von Arnim and the revival of folk poetry and folk songs will also be examined, as will the Grimm brothers' collection of folk tales; E. T.A Hoffmann, L. Tieck, and A. von Chamisso and the poetics of the fantastic. Comparisons between the characters, motifs, and themes of the readings of the candidate's choice will also be asked in order to test the learner's personal critical capacity achieved. The critical reading of the texts chosen from the readings and the candidates' ability to place the work within its historical context, to indicate salient motifs and innovations and to be able to compare works and genres with each other will be considered important.
VERSIONE IN ITALIANO