NEUE KRITISCHE METHODOLOGIEN UND KOGNITIVE POETIK DER DEUTSCHESPRACHINGEN LITERATUR

Academic Year 2023/2024 - Teacher: RENATA GIUSEPPA GAMBINO

Expected Learning Outcomes

1) Knowledge and Understanding

Students are expected to demonstrate knowledge and comprehension skills that extend and/or reinforce those typically associated with the first cycle and enable them to develop and/or apply original ideas, often in a research context

2) Ability to apply knowledge and understanding

By means of in-depth modules, the main issue proposed by the course will be examined diachronically and addressed critically through the critical reading of some texts from German literature. Group work aimed at the development of independent judgement, cooperative and inquiry-based learning will be organised. Students are expected to be able to solve problems in new or unfamiliar areas, embedded in broader (or interdisciplinary) contexts related to their field of study.

3) Communication skills

Group work will be presented in the course of the lectures. This presentation will be an in itinere test and will be taken into account in the final assessment. Communicative skills will also be assessed during both the in itinere and final examination. Students are expected to show an ability to integrate knowledge and manage complexity, to make judgements even on the basis of limited or incomplete information, including reflection on the social and ethical responsibilities associated with the application of their knowledge and judgements.

4) Learning skills

The course aims to provide the tools and illustrate the fundamental methodologies of the latest literary and transdisciplinary research, thus fostering a common reflection on learning skills and possible study and research strategies, thus fostering a common reflection on learning skills and possible study and research strategies and the ability to study in a self-managed or autonomous manner.

5) Autonomy of judgement

Students are expected to show that they can integrate knowledge and manage complexity, make judgements even on the basis of limited or incomplete information even on the basis of limited or incomplete information, including reflection on the social and ethical responsibilities linked to the application of their knowledge and judgements

Course Structure

The course includes a series of lectures, then the organization of study groups aimed at a classroom exposition of a textual analysis through one of the critical approaches considered during the course. The participants will also elaborate terms and criteria for a peer to peer evaluation. The final presentations imply a research work, which will be guided by the lecturer, and will be finally presented to other peers to invite all participants to a shared reflection.

Attendance of Lessons

Attendance is not compulsory.

Detailed Course Content

A - (6 ECTS)

The Technological Imaginary

When observed from the methodological perspective of literary anthropology, technological development constitutes a fundamental theme of the European poetic and literary imagination and has experienced an extraordinary development since the 17th century. The course aims to develop an investigation about possible reactions, both positive and negative, to the technological progress of the last three centuries.

In this sense, we will tackle the study of texts from the fantastic, utopian literature of the seventeenth and eighteenth centuries and then follow interpretative strands that flow into science fiction and dystopian literature representing the hopes and fears of European society that still articulate the current discourse.

 

B - (3 ECTS) From Hot Air Balloons to Space Rockets: Looking the Earth from New Perspectives

The technology of the hot-air balloon inaugurated at the beginning of the 19th century gave rise to numerous conflicting voices and texts proposing further flights of fancy inspired by this innovation. Air travel is considered both a fulfilment of dreams and aspirations, and a cause for concern. With this in mind, we will examine some significant essays by German authors, such as Wieland's satirical essay "Aeropetomanie" (1783), Heinrich von Kleist's articles on "Aëronautik" (1810), and some fascinating narratives such as Stifters' tale "The Condor" and other space travel in order to critically re-examine the fears and hopes and ethical considerations expressed in literature, by the new possibility of looking down on the earth from above.

 

C - (3 ECTS) From machine man to human machine

Starting with La Mettrie's text L'Homme Machine, a reflection is developed on the perculiar characteristics and capabilities of man and of the human  body. In the confrontation with the development of technologies capable of simulating and replacing or implementing human mental and physical capabilities, the technological and literary imaginary develops, opening up new perspectives for the investigation and representation of man, to the point of hypothesising his overcoming through science fiction, cyberpunk, post-human and trans-human literature.

Textbook Information

A - The Technological Imaginary

Two books of following list:

Wolfgang Iser, Das Fiktive und das Imaginäre. Perspektiven literarischer Anthropologie, Suhrkamp Frankfurt am Main, 1991, pp 158-377.

Klinkert Th., Neuhofer M., Literatur, Wissenschaft und Wissen seit der Epochenschwelle um 1800, de Gruyter, Berlin, 2008, pp. 17-216.

Callois Roger, Nel cuore del fantastico, Abscondita 2019, pp. 173.

Todorov Z. , La letteratura fantastica, Garzanti 2000, pp. 192.

Esselborn Hans, Eine kurze Geschichte der deutschsprachigen Science Fiction, in “Humains, plus qu’humains, posthumains”, HS 17 | 2022, p. 79-96, https://doi.org/10.4000/rg.8038

 

B - (3 ECTS) From Hot Air Balloons to Space Rockets: Looking the Earth from New Perspectives

Borgards, R. (2005). Experimentelle Aeronautik. In: Blamberger, G., Breuer, I., Doering, S., Müller-Salget, K. (eds) “Kleist-Jahrbuch 2005”. J.B. Metzler, Stuttgart. https://doi.org/10.1007/978-3-476-00148-1_11, pp. 11

Eberhard Christian Kindermann, Vorrede, in :Die Geschwinde Reise auf dem Lufft-Schiff nach der obern Welt, welche jüngsthin fünff Personen angestellet, um zu erfahren, ob es eine Wahrheit sey, daß der Planet Mars den 10. Jul. dieses Jahrs das erste mahl, so lange die Welt stehet, mit einem Trabanten oder Mond erschienen? Der untern Welt zu curieuser Gemüths-Ergötzung und Versicherung dieser Begebenheit mitgetheilet durch die allgemeine Fama. Berlin 1744, pp. 1-30. Disponibile al seguente link: https://books.google.de/books?id=xFHgMQAACAAJ&printsec=frontcover&hl=it#v=onepage&q&f=false

Wieland Ch. M, Aeropetomanie (1. Oktober 1783), in: C. M. Wielands Sämmtliche Werke, Bd.30 Vermischte Aufsätze, De Gruyter, 1797, pp. 1-39, https://doi.org/10.1515/9783112365403-001

Stifter, Adalbert, Der Condor, (1840) CreateSpace Independent Publishing Platform, 2013, pp. 48.

Verne Jules, Le Tour du monde en quatre-vingts jours (1873).

Rudolf Erich Raspe: Münchhausens Abenteuer. Die fantastischen Erzählungen vollständig aus dem Englischen übersetzt. Frankfurt am Main 2015, pp. 1-49.

 

C - (3 CFU) From machine man to human machine

Choose one of the following:

Haraway Donna, Manifesto cyborg; donne, tecnologie e biopolitiche del corpo, Feltrinelli, 2018, pp. 192.

Irsigler Ingo, Orth Dominik (a cura di), Roboter, Kunstliche Intelligenz Und Transhumanismus in Literatur, Film Und Anderen, Winter, 2021, pp. 1-45.

Choose one of the following:

Kleist, H. von, Il teatro delle marionette, Melangolo, 2022, pp.80

Hoffmann E.T.A, Die Automate (1819), epubli, 2020, pp, 40.

Kafka, Die Verwandlung, Kultverlag Klassik, 2021, pp. 12.1

Gustav Meyrink: Der Golem, Vitalis Verlag, 2023, pp. 304.

Jünger Ernst, Gläserne Bienen, Klett-Cotta, 2014, pp.142.

 

Please remember that in compliance with art 171 L22.04.1941, n. 633 and its amendments, it is illegal to copy entire books or journals, only 15% of their content can be copied.

For further information on sanctions and regulations concerning photocopying please refer to the regulations on copyright (Linee Guida sulla Gestione dei Diritti d’Autore) provided by AIDRO - Associazione Italiana per i Diritti di Riproduzione delle opere dell’ingegno (the Italian Association on Copyright).

All the books listed in the programs can be consulted in the Library.
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