According to the Dublin
descriptors, students, at the end of the course, will demonstrate:
1) Knowledge and Understanding
Students acquire knowledge of art historiography
between 17th and 18th centuries and methodology of art history, acquiring the
ability to understand and analyse literary sources of art history
2) Applying knowledge and understanding
Students will be able to apply the acquired knowledge
and analysis skills to the reading of literary sources of art history and will
understand the historical and cultural background of the sources themselves and
of the different authors
3) Making judgements
Students will independently apply the acquired
knowledge to the reading of the sources
4) Communication skills
Students will acquire a specific technical language
indispensable for the correct communication of art-historical knowledge
5) Learning skills
Students will acquire the ability to read the sources
from the past relating to the history of art, to access the sources themselves,
both printed and digitized.
Art Historiography between 16th and 18th centuries
-
D. Levi, Il discorso sull’arte. Dalla tarda antichità a Ghiberti,
Bruno Mondadori, Milano-Torino 2010, pp. 1-31
-
P. Barocchi, Storiografia e collezionismo dal Vasari al Lanzi,
in Storia dell’arte
italiana,
vol. II, L’artista e il pubblico,
Torino 1979, pp. 5-81;
-
M.B. Failla, Il governo della vista e il
primato dell’invenzione (1590-1640) e L’inganno dell’occhio e l’artificio barocco (1640-1680), in La storia delle storie dell’arte, a cura di Orietta Rossi
Pinelli, Einaudi, Torino 2014, pp. 49-163
- C.
Occhipinti, Percorsi di storia artistica e
storiografia. Roma, l’Italia, l’Europa fra il Seicento e il Settecento,
Carocci editore, Roma 2021, capitoli 1-7, pp. 1-331
Le vite de’
pittori messinesi by Francesco Susinno
-
F. Susinno, Le vite de’ pittori messinesi (1724), a cura di V. Martinelli, Felice Le
Monnier, Firenze 1960, pp. 1-16 (Argomento della storia al lettore); 96-120
(Catalano l’Antico, Paladini, Caravaggio, Minniti); 129-167 (Rodriguez,
Barbalonga e pittori d'oltralpe); 187-198 (Quagliata); 203-211 (Marolì);
234-244 (Scilla); 275-288 (Tancredi); 289-295 (Lettera responsiva sopra
l'accomodare le tavole e tele logore)
- Francesco Susinno tra «giudizio
d’occhio maestro» e «istoria». Studi
sulle Vite
de’ pittori messinesi, a cura di B. Mancuso, “Studi di Memofonte”, 26, 2021 (247
pp.), available and downloadable at http://www.memofonte.it/studi-di-memofonte/numero-26-2021/
Please remember that in compliance with art 171
L22.04.1941, n. 633 and its amendments, it is illegal to copy entire books or
journals, only 15% of their content can be copied.
For further information on sanctions and regulations
concerning photocopying please refer to the regulations on copyright (Linee
Guida sulla Gestione dei Diritti d’Autore) provided by AIDRO - Associazione
Italiana per i Diritti di Riproduzione delle opere dell’ingegno (the Italian
Association on Copyright).
All
the books listed in the programs can be consulted in the Library.