HISTORY OF BYZANTINE ART

Academic Year 2023/2024 - Teacher: GIULIA ARCIDIACONO

Expected Learning Outcomes

The course aims to illustrate the development of Byzantine art, from the foundation to the fall of Constantinople. The various forms of the Byzantine artistic language will be analyzed, highlighting the technical, stylistic and iconographic aspects of emblematic works of art. Particular attention will be paid to the relationship between art, patronage and society. A series of lectures by Prof.ssa Verónica Carla Abenza Soria (Universidad Complutense de Madrid) will focus on Byzantine artifacts in Spain (illuminated manuscripts, objects, wall paintings).

 

At the end of the course students will be able to: know and explain concepts and contents illustrated during the lessons; place Byzantine monuments and artefacts in their appropriate space-time and cultural framework; understand their relations with the Mediterranean productive and social context; describe their iconographic, stylistic, symbolic and material aspects, using correct terminology; make comparisons between similar or different Byzantine works of art in terms of typology, chronology and support. 

Course Structure

Lectures.

Attendance of Lessons

Attendance is not compulsory.

Detailed Course Content

Lectures will focus on the following topics:

-          The foundation of Constantinople and the genesis of Byzantine art

-          The age of Theodosius the Great

-          The age of Justinian

-          The Age of Iconoclasm

-          The Macedonian Renaissance

-          The age of the Comnenians

-          Byzantium and the West

-          Byzantium and its Neighbours

-          The age of the Paleologians

-          Byzantine art in Spain

Textbook Information

 

1)      N. Asutay-Effenberger – A. Effenberger, Bisanzio. L’Impero dell’arte, Torino, Einaudi, 2019, pp. 5-343 [in alternativa E. Concina, Le arti di Bisanzio. Secoli VI-XV, Milano, B. Mondadori, 2002, pp. 35-364].

2)      M. Della Valle, Costantinopoli e il suo impero. Arte, architettura, urbanistica nel millennio bizantino, Milano, Jaca Book, 2007 (rist. 2017), pp. 9-148.

3)      E. Kitzinger, Alle origini dell’arte bizantina. Correnti stilistiche, nel mondo mediterraneo dal III al VII secolo, a cura di M. Andaloro, Paolo Cesaretti, Milano, Jaca Book, 2021 (terza ristampa), pp. 5-150.

4)      J. Lowden, s.v. Miniatura. Area bizantina, in Enciclopedia dell’Arte Medievale, a cura di A. M. Romanini (12 voll., Roma: Treccani, 1991-2002), VIII, Roma 1997, pp. 452-462.

5)      A. Iacobini, Leggere con le immagini. Libri illustrati a Costantinopoli prima della Quarta Crociata, in Bizantini. Luoghi, simboli e comunità di un Impero millenario, Milano, Electa, 2023, pp. 254-265.

6)      L. Bevilacqua, Le arti preziose a Bisanzio da Costantino alla Quarta Crociata, in Bizantini. Luoghi, simboli e comunità di un Impero millenario, Milano, Electa, 2023, pp. 270-278.

7)      A. Iacobini, Il segno del possesso. Committenti, destinatari, donatori nei manoscritti bizantini dell’età macedone, in Bisanzio nell’età dei Macedoni. Forme della produzione letteraria e artistica. Atti dell’VIII Giornata di Studio dell’Associazione Italiana di Studi Bizantini (Milano, 15-16 marzo 2005), a cura di F. Conca, G. Fiaccadori, Milano, Cisalpino, 2007, pp. 151-194.

8)      J-M. Spieser, The Use and Function of Illustrated Books in Byzantine Society, in A Companion to Byzantine Illustrated Manuscripts, ed. V. Tsamakda, Leiden, Brill, 2021, p. 3-22.

9)      I. Kalavrezou, C. Tomaselli, The Study of Byzantine Illustrated Manuscripts since Kurt Weitzmann: Art Historical Methods and Approaches, in A Companion to Byzantine Illustrated Manuscripts, ed. V. Tsamakda, Leiden, Brill, 2021, pp. 23-34.

10)  V. Tsamakda, Historical Writings, in A Companion to Byzantine Illustrated Manuscripts, ed. Vasiliki Tsamakda, Leiden, Brill, 2021, pp. 114-135.

11)  W. T. Woodfin, Textile Media, in The Oxford Handbook of Byzantine Art and Architecture, ed. E. C. Schwartz, Oxford, Oxford University Press, 2021, pp. 593-606.

12)  V. C. Abenza Soria, Put the Blame on Eve: From Narrative Purpose to Allegorical Meaning in the Wall Paintings of Sigena, in L'esegesi in figura. Cicli dell'Antico Testamento nella pittura medievale (secoli IV-XIV), a cura di F. Scirea, Roma, École Français de Rome, 2022, pp. 449-479.

Students who do not intend to take the in itinere test can replace texts nos. 6-12 with: O. Demus, L’arte bizantina e l’Occidente, Torino, Einaudi, 2008, pp. 51-261

For the specific terminology of Byzantine art: “Glossario”, in E. Concina, Le arti di Bisanzio. Secoli VI-XV, Milano, B. Mondadori, 2002, pp. 393-401.

 

For further insight students could consult: Enciclopedia dell’Arte Medievale (12 voll., Roma: Treccani, 1991-2002), available online.

 

Please remember that in compliance with art 171 L22.04.1941, n. 633 and its amendments, it is illegal to copy entire books or journals, only 15% of their content can be copied.

For further information on sanctions and regulations concerning photocopying please refer to the regulations on copyright (Linee Guida sulla Gestione dei Diritti d’Autore) provided by AIDRO - Associazione Italiana per i Diritti di Riproduzione delle opere dell’ingegno (the Italian Association on Copyright).

All the books listed in the programs can be consulted in the Library.
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