FESTIVAL AND THEATRE PLANNING

Academic Year 2025/2026 - Teacher: SIMONA AGNESE SCATTINA

Expected Learning Outcomes

The course enables the student to master the subject (knowledge) in order to use and apply it in other fields of study with the correct use of the specific technical language (skills).

In application of the Dublin descriptors, the course:

1. provides the student/student with knowledge and understanding of the cultural practice of theater festivals and reviews from their nineteenth-century roots to the revivals and crisis of the second half of the twentieth century;

2. develops the autonomous ability to relate what has been learnt to other historical and cultural disciplines;

3. enables him/her to use the knowledge acquired and the specific language learnt for the so-called 'transversal competences' (autonomy of judgement, communication skills) and to develop them both in the analysis of the material covered in the lessons and in the reading and interpretation of new texts.

Course Structure

The first lessons (about 20 hours) will be dedicated to explaining and analyze modules A and B. The remaining ones will be necessary for the in-depth module on some case studies related to festivals and reviews taking place in Sicily and for the on-going test.

In order to enable students to enable students to acquire the necessary tools to analyze the organizational processes of festivals and exhibitions, meetings with artist directors and practitioners will be scheduled.

Required Prerequisites

No prerequisites required

Attendance of Lessons

Attendance is not compulsory

Detailed Course Content

Module A – The city into the theater. From origins to contemporary best practices

This module describes the birth and development of festivals from the Great Dionysia to present times. Thanks to some direct testimonies of best practices, will provide the tools to understand how to organize a festival or review and what is their productive function.

 

Module B - For an observatory of Sicilian theater festivals and exhibitions.

The module aims to affirm the centrality of festival events in the island's cultural economy, as a resource of promotion and territorial identity, as an ideal habitat for the enjoyment of live entertainment. Comparative analyses with other territorial realities will not be missing.

Textbook Information

Module A - The city into the theater. From origins to contemporary best practices (4 ECTS)

Texts:

- C. Carlini, M. Gallina, O. Ponte di Pino, Reinventare i luoghi della cultura contemporanea, Milano, Franco Angeli, 2017, pp. 150.

- E. Donatini, G. Guccini (a cura di), La funzione culturale dei festival, Imola (BO), CUE Press, 2019, pp. 120.

- F. D’Ippolito, Produrre teatro in Italia oggi. Pratiche, poetiche, politiche, Roma, Audino, 2022, pp. 128.

 

Module B For an observatory of Sicilian theater festivals and exhibitions (2 ECTS)

Text:

- A. Taormina, Osservare la cultura. Nascita, ruolo e prospettive degli osservatori culturali in Italia, Milano, Franco Angeli, 2011, pp. 248.

 

Please remember that in compliance with art 171 L22.04.1941, n. 633 and its amendments, it is illegal to copy entire books or journals, only 15% of their content can be copied. For further information on sanctions and regulations concerning photocopying please refer to the regulations on copyright (Linee Guida sulla Gestione dei Diritti d’Autore) provided by AIDRO - Associazione Italiana per i Diritti di Riproduzione delle opere dell’ingegno (the Italian Association on Copyright).

All the books listed in the programs can be consulted in the Library.
VERSIONE IN ITALIANO