STRATEGIES FOR ARCHITECTURAL HERITAGE RECOVERY
Academic Year 2025/2026 - Teacher:
ANDREA TARTAGLIA
Expected Learning Outcomes
With reference to the Dublin descriptors:
1) Knowledge and understanding - of the processes,
actors and different implementation and operational methods related to the
recovery of architectural heritage
2) Ability to apply knowledge and understanding - to
the reading of case studies related to the definition, management and
implementation of architectural heritage recovery processes at different scales
of programming, planning and design
3) Autonomy of judgment - in critically and
autonomously evaluating the methods and outcomes of architectural heritage
recovery processes by adapting knowledge and skills to different contexts and
intervention models.
4) Communication skills - in knowing how to
communicate clearly and appropriately, also with the support of ICT tools,
interpretative readings and development proposals related to recovery processes
inherent to architectural heritage.
5)
Learning skills - also studying autonomously and self-managed to analyze,
evaluate and interpret information related to the architectural heritage
recovery processes in an objective way, also generating new ideas and
innovative solutions
Course Structure
The theoretical lessons and expert seminars, in which
the themes of the processes, actors and methods of recovery and maintenance of
the architectural heritage will be addressed also through the in-depth analysis
of specific case studies, will alternate with a year's work consisting of two
exercises that will also be evaluated as ongoing tests.
In particular, an exercise structured in two parts
will allow students to simulate involvement in a process of recovery and
enhancement of the architectural heritage. The first part of the exercise will
consist of the critical and motivated presentation of an architectural artifact
or a public space to be recovered for the purposes of use and enhancement
consistent with the themes of art and culture; the second part will instead
consist of the presentation of the recovery and reuse program for its enhancement
of the identified case. The papers will be presented in the classroom (for
attending students) or during the exam (for non-attending students).
The
second exercise, starting from the reading of the text in the bibliography
«Antonio Leonardi and Claudia Cantale (edited by), La gentilità e la rabbia.
105 lettere di Giancarlo De Carlo sul risparmio del Monastero di San Nicolò
l’Arena a Catania, Editoriale Agorà, Catania, 2017», requires that each student
present 5 slides in which some texts from the book are linked to images taken
in the spaces of the monastery and starting from this material the students
will have to develop a critical and personal reasoning with respect to the
theme of the processes and models of architectural recovery. The papers will be
presented in the classroom (for attending students) or during the exam (for
non-attending students).
Required Prerequisites
No prerequisites required
Attendance of Lessons
Attendance is not compulsory
Detailed Course Content
The Architectural Recovery is a central theme in the
disciplines of Architectural Technology and Environmental Design, which has
outlined a theoretical, methodological and normative corpus that today
constitutes a cultural baggage necessary to deal with interventions that
involve the existing architectural heritage. Interventions that move between
conservative, transformative or even regenerative actions. It is a process that
requires the development of a design vision that, overcoming the apparent conceptual
aporia between conservation and transformation, is aimed at recovering memory,
maintaining and enhancing historical identity and building the cultural
heritage that will be left as a legacy to future generations.
The historical transition from the concept of
restoration to that of recovery is significant: while restoration starts from
an attitude aimed only at cultural values, with a view to absolute
conservation, in recovery the gaze is turned towards the existing and its
conservation, but with greater attention to its transformative vocations and
the needs of society, so as to counteract the phenomena of abandonment,
obsolescence and degradation.
Recovery requires a trans-scale vision,
territory/urban system/building, where the urban context imposes reflections on
strategic choices and technical and design solutions. The recovery project
requires referring actions not only to parameters relating to the uniqueness of
the asset, but also to integrate new evolutionary scenarios to the
pre-existing, through: performance control, potential integrability,
compatibility for reuse, durability over time. In the design process, choices
revolve around a preparatory phase of knowledge of the building, which is
comparable to an information matrix resulting from the juxtaposition of
historical, technical, economic, regulatory, social, political and cultural
information.
The
course will cover: models, techniques and strategies of recovery from the
post-war period to today; the relationships of architectural heritage with the
time factor and with innovation; the concepts of resource and value, of
material and immaterial asset; new tools and models for programming and
financing recovery processes.
Textbook Information
A. Methods and strategies for
intervention on existing assets. (2 CFU)
Paolo Gasparoli, Cinzia Talamo, Manutenzione e Recupero. Criteri, metodi e strategie per l’intervento
sul costruito, Alinea, Firenze, 2006.(pp. 19-38 ; 65-71 ; 75-82 ;
103-125 ; 129-140 ; 153-178 ; 183-190 ; 211-212 ; 237-248).
B. Theories and History of
Building Recovery (2 CFU)
AA.VV. Increasing
the value of public building assets. TECHNE Journal of
Technology for Architecture and Environment n. 3 – 2013. (pp.
122-299)
Open access on-line:
https://oaj.fupress.net/index.php/techne/issue/view/344/35
C. Monographic essay
(2 CFU)
Antonio Leonardi e Claudia Cantale (a cura di), La gentilezza e la rabbia. 105 lettere di Giancarlo
De Carlo sul recupero del Monastero di San Nicolò l’Arena a Catania,
Editoriale Agorà, Catania, 2017. (pp. 1- 199)
Please remember that in compliance with art 171
L22.04.1941, n. 633 and its amendments, it is illegal to copy entire books or
journals, only 15% of their content can be copied.
For further information on sanctions and regulations
concerning photocopying please refer to the regulations on copyright (Linee
Guida sulla Gestione dei Diritti d’Autore) provided by AIDRO - Associazione
Italiana per i Diritti di Riproduzione delle opere dell’ingegno (the Italian
Association on Copyright).
All
the books listed in the programs can be consulted in the Library.
Learning Assessment
Examples of frequently asked questions and / or exercises
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