Through a
selection of texts, the course aims to provide conceptual and methodological
tools to consolidate the critical-literary analysis skills.
In accordance with
the Dublin descriptors, the learning objectives of the course are:
1) Knowledge and
understanding: students must be able to have an in-depth knowledge of the
historical, social and cultural context of the 20th century, in
which the works included in the syllabus were produced, as well as the main
aesthetic trends;
2) Applying knowledge and understanding: through the
knowledge of the historical-literary framework of reference and its thematic
and stylistic peculiarities, students must be able to demonstrate that they
have consolidated the textual analysis skills and to recognise elements of
continuity or rupture in relation to the canon;
3) Making judgements: students must be able to
formulate and propose interpretative hypotheses, refining the ability to
elaborate personal reflections and considerations in autonomous way, as well as
to conduct a critical-literary analysis of the literary texts included in the syllabus;
4) Communication skills: students must be able to use appropriate
and accurate terminology in their analysis and to express clearly their
critical and interpretative thinking on the works that are included in the
syllabus;
5)
Learning skills: students must be able to identify and implement studying and
learning methods and strategies in order to achieve the educational objectives outlined
for the first course year of a Master Degree.
History of literature
Rodríguez Cacho, L., Manual de historia de la literatura española 2. Siglos
XVIII al XX, Barcelona, Castalia, most recent ed., pp. 379-612.
Morelli G., Manera D., Letteratura spagnola del Novecento. Dal modernismo al
postmoderno, Milano, Mondadori, 2007, pp. 193-279 (the chapter
titled Narrativa spagnola contemporanea).
Texts/excerpts
1. C.J. Cela, La
familia de Pascual Duarte, Barcelona, Editorial Debolsillo, most recent ed.
2. A. Grandes, Las
edades de Lulú, Barcelona, Tusquets Editores, most recent ed.
3. C. Martín Gaite, Caperucita en Manhattan, Madrid, Ediciones Siruela, most recent ed.
4. J.J. Millás, La
soledad era esto, Barcelona, Ediciones Destino o Booket, most recent ed.
5.
Selection
of significant texts/excerpts published between the 20th
century and the early decades of the 21st century that will be
uploaded on Studium (approximately 60 pages).
Critical essays
Blejer Eder D. B., De la madriguera a la libertad: intertextualidad como subversión en Caperucita
en Manhattan, «ANILIJ: Anuario de Investigación en Literatura Infantil y
Juvenil», 5, 2007, pp. 9-24.
https://revistas.uvigo.es/index.php/AILIJ/article/view/783/767
Contadini L., La soledad era esto di Juan José Millás, l’universo femminile e la
metamorfosi, «Confluenze. Rivista di Studi Iberoamericani», vol. IX,
n. 2, 2017, pp. 196-212.
https://confluenze.unibo.it/article/view/7786/7497
Laín Corona G., Revisión
crítica de «Las edades de Lulú», de Almudena Grandes. Para una nueva
interpretación como Bildungsroman, «Castilla. Estudios de
Literatura», 10, 2019, pp. 126-170.
https://dialnet.unirioja.es/servlet/articulo?codigo=7116260
Hoyle A., La familia de Pascual Duarte: psicoanálisis de la historia, en A.D.
Kossoff, R.H. Kossoff, G. Ribbans, J. Amor y Vázquez (coords.), Actas
del octavo Congreso de la Asociación Internacional de Hispanistas, celebrado en Brown University, Providence
Rhode Island, del 22 al 27 de agosto de 1983, Madrid, Ediciones Istmo, 1986, II,
pp. 1-11.
https://cvc.cervantes.es/literatura/aih/pdf/08/aih_08_2_001.pdf
Further critical readings will be provided and
uploaded on Studium (approximately 50 pages).
Please remember that in compliance with art 171
L22.04.1941, n. 633 and its amendments, it is illegal to copy entire books or
journals, only 15% of their content can be copied.
For further information on sanctions and regulations
concerning photocopying please refer to the regulations on copyright (Linee
Guida sulla Gestione dei Diritti d’Autore) provided by AIDRO - Associazione
Italiana per i Diritti di Riproduzione delle opere dell’ingegno (the Italian
Association on Copyright).
All
the books listed in the programs can be consulted in the Library.